Library Archive and Museum Research Journal

Öz

Findings of material and spiritual value, where Seljuk artistic aesthetics come to life with materials such as metal, plaster, wood, textile, glass, tile, stone, ceramics, etc., are synthesized with the talent of artisans trained from different cultures and are witnesses of their own time. Artistic transposition is an attempt to understand the role of museums regionally and globally through research on issues related to cultural heritage, history, and social change. It is necessary to be able to examine how museums are positioned within social and historical contexts and their impact on various communities. Museogeography also refers to the process of documenting and analyzing museum activities in a region. In addition, it aims to contribute to the preservation, display, and understanding of cultural heritage. It is also the process of transferring and adapting a museum's exhibits to different cultural and contextual settings. The material and spiritual secrets of the Seljuk cultural geography provide a new communication opportunity between the exhibited artifacts and the audience through didactic transposition analysis. Therefore, these practices play an important role in triggering the imagination of visitors and facilitating the transfer of knowledge about the stories of artifacts in exhibitions and collections. This study aims to investigate how Seljuk artifacts exhibited in some foreign museums can contribute more to the understanding of Seljuk art. It is also an effort to help better understand the ways in which Seljuk artifacts preserved in these museums are exhibited by focusing on different aspects of Seljuk culture and history. The museums that are the subject of this study were determined according to their capacity to organize activities other than hosting Great Seljuk and Anatolian Seljuk artifacts. Document analysis and the online source review method were used in the study conducted with the survey method. One of the foreseen results is to raise awareness about how Seljuk artifacts, which make the sixth sense, that is, the pleasure of making you feel the beauty deeply, are positioned in museums and how they should be exhibited in the lands and cultural geographies where they were created.